Erlend Hovland

Førsteamanuensis ved Norges Musikkhøgskole.

Adorno, Theodor W.: “On the Fetish-Character in Music and the Regression of Listening.” New York: Continuum, 1988 (http://yaleunion.org/secret/Adorno-On-the-Fetish-Character-in-Music-and-the-Regression-of-Listening.pdf)

Adorno, Theodor W.: Mahler: A Musical Physiognomy, London, 1992

Born, Georgina: Rationalizing Culture: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde (Association), 1995

Böhme, Gernot: Aisthetik, München 2001

Gumbrecht, Hans-Ulrich: The Production of Presence: What Meaning cannot convey, Stanford University Press, Stanford, 2004 (http://raley.english.ucsb.edu/wp-content/uploads/Reading/Gumbrecht-presence.pdf)

Marina Frolova-Walker, Stalin's Music Prize: Soviet Culture and Politics (Yale), 2016

Nono, Luigi, Écrits (Paris: Christian Bourgois Editeur) 1993

Schechner, Richard. Performance Studies: an Introduction (New York: Routledge), 2006

Sloterdijk, Peter: Du mußt dein Leben ändern, Suhrkamp, 201 4

Tröndle, Martin (red.): Das Konsert: Neue Aufführungskonzepte für eine klassische Form, [transcript], 2009

Journal of Artistic Research:

http://www.jar-online.net

Contemporary Aesthetics [journal]:

http://www.contempaesthetics.org/newvolume/pages/journal.php

http://www.therestisnoise.com